 Photo Lampeduza Press
The Boston Globe (USA) - Thu Aug 20, 2009
Radio France Internacionale - Tue Jan 05, 2010
Rolling Stone (Mexico) - Thu Feb 19, 2009
Diario Uno (ARG / Mendoza) - Tue Jul 28, 2009
La Voz (ARG) - Sat Jan 09, 2010
Hoy Internacional - Fri Jan 01, 2010
PlayGround (ESP) - Fri Aug 01, 2008
Gaffa (DK) - Fri Jul 24, 2009
Rolling Stone (ARG) - Thu Aug 14, 2008
Global Art (ARG) - Fri Nov 21, 2008
FDZ (Mendoza, ARG) - Sat Jul 05, 2008
UnoNueveDos (CL) - Mon May 12, 2008
Diario Los Andes (Mendoza, AR) - Sat May 16, 2009
Noticias Culturales Iberoamericanas (ESP) - Wed Jan 20, 2010
Amoeblog - Tue Oct 14, 2008
Afar Magazine - Fri Jan 01, 2010
Emusic (USA) - Wed May 27, 2009
Gaffa (Denmark) - Sat Jul 18, 2009
Rocket Magazine - Mon Nov 23, 2009
Clarín Espectaculos (ARG) - Tue Jul 07, 2009
  La Manita de Fauna Remixes
Fauna comes direct from the foothills of the Andes where Catar_sys and Color Kit brew their particular strain of digital cumbia, morphing the traditional rhythm into jungle-cumbia infused with dancehall, IDM, and drum & bass. At home in Mendoza wine country, the duo found their idyllic surroundings to be ideal terrain for a ragga-inflected cumbia record.
Fauna - ZZK Records from ZZK Records on Vimeo.
La Manita producer DJ Nim expounds: “La Manita de Fauna started out as a psychedelic instrumental project that brought cumbia and drum & bass together on a mushroom cloud. This record is soaked in Fauna´s particular spirit and worldview. The album meets life´s difficulties with humor, an absence of prejudice, plenty of irony and, at the same time, room for lucid and even mystical thoughts.”
With this hybrid sound dubbed “digital cumbia” gaining momentum, the two producer-MCs from Mendoza release 11 songs that tap into genres including reggae, reggaeton, cumbia, cumbia villera (gangster cumbia), and baile funk, and merge them with electronic rhythms including IDM, jungle, and breakbeat. Book Fauna - booking@zzkrecords.com Press Inquiries - press@zzkrecords.com ........................................................................................................................................................... |
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